DON GUMMER

On the book cover the artists’ name appears. Below is an image of a sculpture composed of two forms, one concrete and the other steel, suspended in air on top of one another by cables
Artist Don Gummer gestures toward the tall, stainless-steel form of his sculpture titled 12-12-12 shown in an empty room.
A sculpture made up of intersecting curved and geometric bronze forms sits on a hollow concrete cube.
A sculpture sits outside on the grass in front of a building. It is made up of long, flat stainless-steel rectangles. Some pieces are straight and some are curved.
A sculpture sits outside among trees. It is made up of geometric aluminum and patinated bronze boxes stacked on top of each other and intersected by panels of curved aluminum rods.
The sculpture is made up of three curving pieces of steel that lean against each other to create an X shape. They are topped by a flat steel spiral.
The sculpture is conical and smaller at the base than at the top. Ladder-shaped steel elements are stacked on top of each other and are topped by flat disks of curved steel.
A stone, cut cleanly into two pieces, is suspended in the air. The two pieces of stone are held by four sets of four cables, each attached to a large steel post that angles into a grassy lawn.
A light brown piece of stone is held in the air next to a steel cube patterned with blue stained glass. Both the stone and the cube are suspended by multiple thin wire cables.
Two pieces of a large stone that has been split cleanly in half are held in the air by multiple cables attached to four cylindrical metal pillars.
Two pieces of a large stone that has been split cleanly in half are held in the air a few inches from each other by multiple cables. A light blue sky and tree branches appear in the background.
The sculpture is made of several intertwining steel rods that hold a stone in the air. The stone has an oblong metal net protruding from it.
The sculpture is taller than the buildings and made of several intertwined steel rods that hold a stone in the air. The stone has an oblong round metal net protruding off of it.
•	A watercolor drawing of linear geometric shapes in which a red rectangle with two square spirals on either end is intertwined with a web of gray and brown triangles
A relief sculpture made of painted wood hangs on a white wall and casts shadows. The sculpture is made up of a dark blue rectangle with two square spirals on either end.
On the book cover the artists’ name appears. Below is an image of a sculpture composed of two forms, one concrete and the other steel, suspended in air on top of one another by cables
Artist Don Gummer gestures toward the tall, stainless-steel form of his sculpture titled 12-12-12 shown in an empty room.
A sculpture made up of intersecting curved and geometric bronze forms sits on a hollow concrete cube.
A sculpture sits outside on the grass in front of a building. It is made up of long, flat stainless-steel rectangles. Some pieces are straight and some are curved.
A sculpture sits outside among trees. It is made up of geometric aluminum and patinated bronze boxes stacked on top of each other and intersected by panels of curved aluminum rods.
The sculpture is made up of three curving pieces of steel that lean against each other to create an X shape. They are topped by a flat steel spiral.
The sculpture is conical and smaller at the base than at the top. Ladder-shaped steel elements are stacked on top of each other and are topped by flat disks of curved steel.
A stone, cut cleanly into two pieces, is suspended in the air. The two pieces of stone are held by four sets of four cables, each attached to a large steel post that angles into a grassy lawn.
A light brown piece of stone is held in the air next to a steel cube patterned with blue stained glass. Both the stone and the cube are suspended by multiple thin wire cables.
Two pieces of a large stone that has been split cleanly in half are held in the air by multiple cables attached to four cylindrical metal pillars.
Two pieces of a large stone that has been split cleanly in half are held in the air a few inches from each other by multiple cables. A light blue sky and tree branches appear in the background.
The sculpture is made of several intertwining steel rods that hold a stone in the air. The stone has an oblong metal net protruding from it.
The sculpture is taller than the buildings and made of several intertwined steel rods that hold a stone in the air. The stone has an oblong round metal net protruding off of it.
•	A watercolor drawing of linear geometric shapes in which a red rectangle with two square spirals on either end is intertwined with a web of gray and brown triangles
A relief sculpture made of painted wood hangs on a white wall and casts shadows. The sculpture is made up of a dark blue rectangle with two square spirals on either end.

DON GUMMER

$85.00

ESSAYS BY: PETER PLAGENS AND
LINDA WOLK-SIMON
INTRODUCTION BY: JOHN YAU

  • The first major survey on one of the most important sculptors of our time.

  • A richly illustrated monograph that brings to life the multifaceted approach and diversity of working with stone, steel, cables, and wood.

Hardcover
11 x 12 ¼ inches, 280 pages
223 color plates, 15 black -and-white illustrations
ISBN: 978-0-9962007-9-0

$85 | £65 | €78

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The trajectory of Don Gummer’s career as a sculptor began in New York City in the late 1970s with his wall reliefs of painted wood, carefully layered geometric works exhibiting a strong architectural influence. Moving beyond wood to stone, bronze, stainless steel, aluminum, and glass as his primary materials, his artworks evolved into subtly inventive freestanding sculptures, often of monumental scale, that exhibit his unfailing attention to craftsmanship and detail. The Artist Book Foundation is delighted to announce the forthcoming publication of Don Gummer, a new monograph on the artist and his highly acclaimed body of work.

Gummer was born in Louisville, Kentucky, in 1946 and grew up in Indianapolis, Indiana, where he attended the Herron School of Art and Design at Indiana University. He subsequently received both a BFA andan MFA from Yale University’s School of Fine Arts. In a 2001 interview with Peter Plagens, American artist and art critic, Gummer described his interest in sculpture as “the recontextualization of natural phenomena, of unaltered things brought into aesthetic balance by choosing and placing.” Using balance, proportion, and his unique sense of harmony, the artist is able to make durable materials seem almost buoyant. Negative space becomes an intrinsic element in his work, imparting a sense that his exquisite, seemingly permanent forms are ultimately as fleeting as any of nature’s creations would be.

The artist’s works can be found in many public collections including the Butler Institute of American Art in Youngstown, Ohio; the Massachusetts Museum of Contemporary Art in North Adams, Massachusetts; and Chase Manhattan Bank and Chemical Bank, both in New York City. He has received a number of awards from prestigious organizations such as the Louis Comfort Tiffany Foundation and the National Endowment for the Arts, and he was Visiting Artist at the American Academy in Rome. Some of his most recent sculptures appeared around Indianapolis in conjunction with his 2016 exhibition, Back Home Again.

Peter Plagensis an artist, art critic, and novelist. From 1989 until 2003, he was the senior writer and art critic for Newsweek magazine. He has received fellowships from the John Simon Guggenheim Memorial Foundation, the National Endowment for the Arts, and the National Arts Journalism Program. He currently writes about art for the Wall Street Journal and ArtForum magazine. Linda Wolk-Simonis currently a visiting professor at the Institute of Fine Arts at New York University. She was the Frank and Clara Meditz Director and Chief Curator at Fairfield University Art Museum and was the Charles W. Engelhard Curator and Head of the Department of Drawings and Prints at the Morgan Library & Museum. John Yau is an American poet and critic. He currently teaches art history and criticism at Mason Gross School of Arts, Rutgers University.